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Chapter
05: A Star in a Dark Night
Ibarra went
to his room, which overlooked the river, and dropping into a chair gazed out
into the vast expanse of the heavens spread before him through the open
window. The house on the opposite bank was profusely lighted, and gay
strains of music, largely from stringed instruments, were borne across the
river even to his room.
If the
young man had been less preoccupied, if he had had more curiosity and had
cared to see with his opera glasses what was going on in that atmosphere of
light, he would have been charmed with one of those magical and fantastic
spectacles, the like of which is sometimes seen in the great theaters of
Europe. To the subdued strains of the orchestra there seems to appear in the
midst of a shower of light, a cascade of gold and diamonds in an Oriental
setting, a deity wrapped in misty gauze, a sylph enveloped in a luminous
halo, who moves forward apparently without touching the floor. In her
presence the flowers bloom, the dance awakens, the music bursts forth, and
troops of devils, nymphs, satyrs, demons, angels, shepherds and
shepherdesses, dance, shake their tambourines, and whirl about in rhythmic
evolutions, each one placing some tribute at the feet of the goddess. Ibarra
would have seen a beautiful and graceful maiden, clothed in the picturesque
garments of the daughters of the Philippines, standing in the center Of a
semicircle made up of every class of people, Chinese, Spaniards, Filipinos,
soldiers, curates, old men and young, all gesticulating and moving about in
a lively manner. Padre Damaso stood at the side of the beauty, smiling like
one especially blessed. Fray Sibyla--yes, Fray Sibyla himself--was talking
to her. Doña Victorina was arranging in the magnificent hair of the maiden
a string of pearls and diamonds which threw out all the beautiful tints of
the rainbow. She was white, perhaps too much so, and whenever she raised her
downcast eyes there shone forth a spotless soul. When she smiled so as to
show her small white teeth the beholder realized that the rose is only a
flower and ivory but the elephant's tusk. From out the filmy piña draperies
around her white and shapely neck there blinked, as the Tagalogs say, the
bright eyes of a collar of diamonds. One man only in all the crowd seemed
insensible to her radiant influence--a young Franciscan, thin, wasted, and
pale, who watched her from a distance, motionless as a statue and scarcely
breathing.
But Ibarra
saw nothing of all this--his eyes were fixed on other things. A small space
was enclosed by four bare and grimy walls, in one of which was an iron
grating. On the filthy and loathsome floor was a mat upon which an old man
lay alone in the throes of death, an old man breathing with difficulty and
turning his head from side to side as amid his tears he uttered a name. The
old man was alone, but from time to time a groan or the rattle of a chain
was heard on the other side of the wall. Far away there was a merry feast,
almost an orgy; a youth was laughing, shouting, and pouring wine upon the
flowers amid the applause and drunken laughter of his companions. The old
man had the features of his father, the youth was himself, and the name that
the old man uttered with tears was his own name! This was what the wretched
young man saw before him. The lights in the house opposite were
extinguished, the music and the noises ceased, but Ibarra still heard the
anguished cry of his father calling upon his son in the hour of his death.
Silence had
now blown its hollow breath over the city, and all things seemed to sleep in
the embrace of nothingness. The cock-crow alternated with the strokes of the
clocks in the church towers and the mournful cries of the weary sentinels. A
waning moon began to appear, and everything seemed to be at rest; even
Ibarra himself, worn out by his sad thoughts or by his journey, now slept. Only the young Franciscan whom we saw not so long ago standing motionless and silent in the midst of the gaiety of the ballroom slept not, but kept vigil. In his cell, with his elbow upon the window sill and his pale, worn cheek resting on the palm of his hand, he was gazing silently into the distance where a bright star glittered in the dark sky. The star paled and disappeared, the dim light of the waning moon faded, but the friar did not move from his place--he was gazing out over the field of Bagumbayan and the sleeping sea at the far horizon wrapped in the morning mist. |
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